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English: Gallery Label: As a chronicler of modern urban life, Daumier captured the effects of industrialization in mid-nineteenth-century Paris. Images of railway travel first appeared in his art in the 1840s. This "Third-Class Carriage" in oil, unfinished and squared for transfer, closely corresponds to a watercolor of 1864 (Walters Art Museum, Baltimore). Daumier executed another oil version of the subject, which he finished but extensively reworked (National Gallery of Canada, Ottawa).
Data
circa 1862 m.
date QS:P571,+1862-00-00T00:00:00Z/9,P1480,Q5727902
Duz, Paris (by 1878–92; sold on June 8, 1892 to Durand-Ruel); [Durand-Ruel, Paris, 1892–93, stock no. 2316; sold on April 19, 1893 to Durand-Ruel, New York]; [Durand-Ruel, New York, 1893–96, stock no. 1048, sold on February 24, 1896 to Borden]; Matthew C. D. Borden, New York (1896–d. 1912; his estate sale, American Art Association, New York, February 13–14, 1913, no. 76, for $40,000, to Durand-Ruel for Havemeyer); Mrs. H. O. (Louisine W.) Havemeyer, New York (1913–d. 1929; cat. 1931, pp. 102–3, ill.)
Exhibition history
Exhibition History:
Paris. École des Beaux-Arts. "Exposition des peintures, aquarelles, dessins et lithographies des maîtres français de la caricature et de la peinture de mœurs au XIXe siècle," 1888, no. 361 (as "Un Wagon de 3e classe," lent by M. Duz).
New York. Durand-Ruel. November 1894, no catalogue [see New York Times 1894].
New York. Union League Club. "Paintings from the M. C. D. Borden Collection," November 1909, no catalogue [see New York Times 1909].
New York. The Metropolitan Museum of Art. "The H. O. Havemeyer Collection," March 10–November 2, 1930, no. 42 [2nd ed., 1958, no. 96].
Philadelphia. Pennsylvania Museum of Art. "Daumier 1808–1879," 1937, no. 5.
Paris. Palais National des Arts. "Chefs d'œuvre de l'art français," July–September 1937, no. 288.
Philadelphia Museum of Art. "Diamond Jubilee Exhibition: Masterpieces of Painting," November 4, 1950–February 11, 1951, no. 57.
New York. The Metropolitan Museum of Art. "Art Treasures of the Metropolitan," November 7, 1952–September 7, 1953, no. 142.
Paris. Musée de l'Orangerie. "De David à Toulouse-Lautrec: Chefs-d'œuvre des collections américaines," Spring 1955, no. 16.
New York. The Metropolitan Museum of Art. "Van Gogh as Critic and Self-Critic," October 30, 1973–January 6, 1974, no. 38.
Amsterdam. Rijksmuseum Vincent Van Gogh. "Franse meesters uit het Metropolitan Museum of Art: Realisten en Impressionisten," March 15–May 31, 1987, no. 8.
Leningrad [St. Petersburg]. State Hermitage Museum. "From Delacroix to Matisse," March 15–May 10, 1988, no. 3.
Moscow. Pushkin State Museum of Fine Arts. "From Delacroix to Matisse," June 10–July 30, 1988, no. 3.
New York. The Metropolitan Museum of Art. "Daumier Drawings," February 26–May 2, 1993, no cat. number.
Ottawa. National Gallery of Canada. "Daumier, 1808–1879," June 11–September 6, 1999, no. 271.
Paris. Galeries Nationales du Grand Palais. "Daumier, 1808–1879," October 5, 1999–January 3, 2000, no. 271.
Museum of Fine Arts, Houston. "The Masterpieces of French Painting from The Metropolitan Museum of Art: 1800–1920," February 4–May 6, 2007, no. 19.
Berlin. Neue Nationalgalerie. "Französische Meisterwerke des 19. Jahrhunderts aus dem Metropolitan Museum of Art, New York," June 1–October 7, 2007, unnumbered cat.
Dati di acquisizione
H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929
Pastabos
The chronology of the different versions of this composition is unresolved [see Ref. Pantazzi 1999]. Besides the watercolor (Walters Art Gallery, Baltimore; M D-298) and finished oil (National Gallery of Canada, Ottawa; M I-166), there are two pencil tracings on paper (present location unknown, M D-299; Bibliothèque nationale de France, Paris, D-300) and a tracing on glass (private collection, Germany; not in Maison).
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