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This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain in its source country for the following reason:
Public domainPublic domainfalsefalse
According to Japanese Copyright Law (June 1, 2018 grant) the copyright on this work has expired and is as such public domain. According to articles 51, 52, 53 and 57 of the copyright laws of Japan, under the jurisdiction of the Government of Japan works enter the public domain 50 years after the death of the creator (there being multiple creators, the creator who dies last) or 50 years after publication for anonymous or pseudonymous authors or for works whose copyright holder is an organization.
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It is also in the public domain in the United States for the following reason:
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Šis failas yra viešo naudojimo tose šalyse, kuriose autorių teisės galiojimo netenka po 100 metų nuo autoriaus mirties.
Šis darbas laikomas viešo naudojimo Jungtinėse Amerikos Valstijose, nes jis buvo įregistruotas JAV Autorių Teisių Biure ar publikuotas iki 1929 m. sausio 1 d.
https://creativecommons.org/publicdomain/mark/1.0/PDMCreative Commons Public Domain Mark 1.0falsefalse
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain". This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details.
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Utamaro (Kitagawa) (1753–1806). ''L'atelier d'impression d'estampes''. Impression nishiki-e. Format trois ôban en triptyque, vers 1795. Toutes les étapes du travail sont assumées par des femmes.
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